Introduction

Chapter One - - - - - - - - - - - - - - - - - - - -Intervals and Triads

Chapter Two - - - - - - - - - - - - - - - - - - - - Major and Minor Modes

Chapter Three - - - - - - - - - - - - - - - - - - - Two ( II ) Five ( V ) One ( I ) progression in Major

Chapter Four - - - - - - - - - - - - - - - - - - - - Two ( II ) Five ( V ) One ( I )progression in minor

Chapter Five - - - - - - - - - - - - - - - - - - - - Dominant Seventh Chords

Chapter Six - - - - - - - - - - - - - - - - - - - - - Dominant Seventh Alterations and Additions

Chapter Seven - - - - - - - - - - - - - - - - - - Tri - tone Substitutions

Chapter Eight - - - - - - - - - - - - - - - - - - - Sus and Phrygian Chords

Chapter Nine - - - - - - - - - - - - - - - - - - - -Dorian Mode

Chapter Ten - - - - - - - - - - - - - - - - - - - - Minor Seventh Chords

Chapter Eleven - - - - - - - - - - - - - - - - - - Minor Seventh Flat Five Chords

Chapter Twelve - - - - - - - - - - - - - - - - - - Diminished Chords and Scales

Chapter Thirteen - - - - - - - - - - - - - - - - - Whole Tone Scale and Harmony

Chapter Fourteen - - - - - - - - - - - - - - - - - Putting Scales To Work

Chapter Fifteen - - - - - - - - - - - - - - - - - - -Practicing Scales

Chapter Sixteen - - - - - - - - - - - - - - - - - -Upper Structures

Chapter Seventeen - - - - - - - - - - - - - - - Pentatonic Scales

Chapter Eighteen - - - - - - - - - - - - - - - - - Added Notes

Chapter Nineteen - - - - - - - - - - - - - - - - -Intros and Endings

Chapter Twenty - - - - - - - - - - - - - - - - - -Form Considerations